Licentiate Theses /LS KSM

Tillbaka till texten : derivativt skrivande i en svensk gymnasieklass
Malmström, Martin : Malmö högskola, Fakulteten för lärande och samhälle Malmö Studies in Educational Sciences: Licentiate Dissertation Series;27 (2012)	LICENTIATE THESIS

English abstract:

This licentiate thesis investigates fiction writing and reading in up- per secondary school in Sweden. Inspired by fanfiction I created a teaching project of derivative writing in which the students in a se- cond-year social science class wrote short stories derived from 20th century novels. They also gave peer response, both orally and in writing. Finally they wrote a reflective text about the project. The main purpose of the study is to describe and analyse the teaching project. The primary material is the students’ short sto- ries. Drawing from theories of intertextuality, most notably Genette’s transtextuality theory and fanfiction theories, I analyse how the students make use of the source text. Theories of narratology have been used to analyse techniques of storytelling, mainly characterization and focalization. In the analysis of the stu- dents’ written comments on each other’s texts I draw from re- sponse theories. The results show that the students tend to stay close to the source texts. The most common subgenre is refocalization, that is to change the perspective to one of the secondary characters’ view. Refocalization seems to be an efficient way of deepening the under- standing of the main character of the source text; in many of the students’ stories the protagonist functions as the focalized object. Which novel the students read plays an important part in how fo- calization is expressed, however. Short stories based on novels with complex focalization tend to be focalized in a variety of ways whereas stories based on novels with fixed focalization mostly fol- low the pattern of the source text. Reading the short stories and, not least, the reflective texts it becomes evident that the characters are extremely important in this kind of literature, more so than semiotic theories of characters have acknowledged; the characters are more than merely functions. In the chapter about peer response I argue that many students write analyses of the text they are about to respond to rather than give advice about how to proceed. It is difficult to see if the response is of any help to the writer. Thus, I question whether peer response has any other effect than strength- ening the social bonds between the group members. The study shows that creative writing could very well be an in- tegral part of the education in Swedish in upper secondary school. Derivative writing may function as an alternative to traditional lit- erary analyses. Refocalizing is a way of seeing the story from a dif- ferent viewpoint, which could enhance the students’ sense of empa- thy. Questions of focalization might also lead to discussions of power. Furthermore, creative writing may make the students more attentive as writers. In the new syllabus Gy 11, however, the op- portunities for working with creative writing are, unfortunately, limited.

2043_14272 Malmstrom MUEP.pdf (3.790Mb)

Att bygga läsning-om byggelevers förhållningssätt till läsning i sven...
Bardenstam, Malin : Malmö högskola, Lärarutbildningen Malmö studies in educational sciences; (2012) Preliminär post	LICENTIATE THESIS

English abstract:

This licentitate thesis is a study of Upper-Secondary School stu-dents’ approach towards reading fiction in the school subject of Swedish from a socio-cultural perspective. Furthermore, the social context and its importance for the students’ reading situation has been mapped. The students participating in the study are all first-graders and boys, studying the Construction Programme. The empirical material consists primarily of oral statements made by the students concerning their perception of how to read fiction in school. Using the construct of Pierre Bourdieu and with the reception model of Kathleen McCormick as a point of departure, the repertoirs of the students are described and analyzed. This study shows that the students bring different representa-tions of their group belonging, which effect their approach to rea-ding fiction. It also shows that the students’ idea of what a reader is and their own reading ability create their approach to reading. Ad-ditionally, the students have problems to see the actual purpose of reading fiction in a school situation. The results of the study show that in order to read fiction success-fully in a classroom situation, the school has to discuss and chal-lenge the students’ views of group belonging. Furthermore the school must improve when it comes to illustrating the more precise purpose and meaning of reading fiction in the school subject of Swedish. The study shows that because of the students’ different approa-ches to reading fiction, they tend to do two types of reading, one in-dividual and one for the school . In the latter, the students are incli-ned to limit their reading potential. And this is the real challenge for the subject of Swedish, but also ultimately the school, to challenge the students to use their full reading potential. Finally, the results of the study is discussed in relation to the new curriculum of the subject of Swedish, as it is presented in the sylla-bus ”Gy 11”. ”Gy 11” has been implemented since the autumn of 2011. Additionally, the consequences of the decreased number of hours for the subject of Swedish is considered. There are, however, stil good possibilities for the Swedish school to enable the students to reach their full reading potential in a class-room sitution.

Att_bygga_läsning_Malin_Bardenstam_20_januari.pdf (3.137Mb)

Läroböcker i svenska? En studie av ett läromedel för yrkesförberedand...
Lilja Waltå, Katrin : Malmö University Malmö Studies in Educational Sciences: Licentiate Dissertation Series 2011;23 (2011)	LICENTIATE THESIS

English abstract:

This licentiate thesis addresses what textbooks in the school subject Swedish specifically oriented to pupils in different vocational programmes at Swedish high school/ upper secondary schools (Gymnasiet) offer to their readers. The study uses qualitative textual analysis as its main approach as well as, to a certain extent, quantitative data from textbooks in the Blickpunkt series (Blickpunktserien). Since they are included in so called comprehensive teaching materials, Bra Svenska A and Bra Svenska B, certain aspects of these two books, primarily their selection of texts are also studied. My point of departure is that a given textbook presumes a certain type of reader – this is supported by Umberto Eco’s theory that an author always writes with a reader in mind, a model reader, and I pose the following question: What views on subject matter, literature and cognitive approach are conveyed by the textbooks and what does this tell us about their model readers? My interpretation is that there are both many similarities and many differencies between the various model readers presumed by the textbooks. The focus on future professional activities permeates all of the textbooks, but is somewhat less prominent in Blickpunkt bygg and Blickpunkt el, where, to a certain extent, the model reader is presumed to be working with topics which can be attributed to the Swedish subject matter area. In Blickpunkt barn och fritid, Blickpunkt fordon, Blickpunkt hotell och restaurang and Blickpunkt omvårdnad, the postulated reader is assumed to be uninterested in literature and is expected to work in a field only marginally related to the Swedish subject matter area. Instead the textbooks are organized on the basis of a general assumption regarding what know-how and qualifications are currently in demand on the labor market. Therefore we cannot say that they contain a genuine Swedish subject matter area. The formulation of the textbooks implies that a model reader is not expected to approach the texts with a critical mind in order to help him or her develop cognitive thinking and oral and written language skills.

2043_13383 Waltå muep.pdf (1.214Mb)

Att sätta erfarenheter i rörelse. En undersökning av hur elever i år ...
Söderling, Maria : Malmö University Malmö Studies in Educational Sciences: Licentiate Dissertation Series;2011:24 (2011)	LICENTIATE THESIS

English abstract:

ABSTRACT This licentiate thesis is a study of the curriculum of the school subject Swedish from a socio-cultural perspective. The aim of the study is to obtain insights into how pupils in the seventh grade of the Swedish secondary school system read films, and further to investigate how the education in Swedish can manage and make the most of various approaches to film. The survey was conducted in a class which I teach myself, and the empirical data consists primarily of oral and written statements by the pupils, concerning the films they have seen. Furthermore the social context around the reception of the films has been mapped. As part of the empirical data there is also a record of a discussion in the classroom concerning filmmaking. With the reception model of Kathleen McCormick as a point of departure, the filmic repertoires of the pupils are analyzed, described and interpreted as they stand out within the framework of the study. The general repertoires of the pupils are also dealt with to some extent. The representations and non-representations of the readings are further discussed in a social semiotic perspective. The research shows that the pupils bring rich experiences of fiction from television as well as film to school. The research also indicates that there is a potential for specific learning processes in the reading of film, since the reception of film entails a possibility to widen the general and filmic repertoires as well as to be conscious of them. The most important potential for learning is in the meeting with films that create a tension between the general repertoires of the reader and the film itself, since the film in those cases stands for something hitherto unknown for the reader. The pupils in my survey do not, however, primarily watch film in order to obtain new experiences, or to learn something; they watch film as a means to feel and share experiences with others in order to strengthen their sense of belonging to a group. One exception appears to be films that the pupils interpret as based on reality, since there is a tendency among the pupils to be more openminded for clashes between their own repertoires and the repertoires in films when it comes to fiction anchored in reality. The true challenge of the teaching is to attract the pupils to develop conscious relationships to films that imply a tension between repertoires. The reasons for these tensions have furthermore to be investigated. When it comes to films based on reality, the study makes it clear that the population of pupils represents a diverse set of attitudes towards the films; some pupils read the films as pure facts, while others read them in a more reflective way, comparing the mediated images of reality in the actual films with other types of experiences. The teaching of Swedish with the intention to take care of the reception of film among school children must be conducted in an awareness of the fact that not all pupils are representing their readings in a way that makes it possible to create meeting places around them within the educational framework. In my view, the education in Swedish for the secondary school must in a more active way open up for the possibility for the pupils to acquire strategies for a conscious handling of their film readings, as well as access to a language by which they can make their representations. The fact that not all pupils are aware of how film can mediate constructions of reality makes it important to take care of the children’s readings in such a way that makes them aware of the semiotic resources of the cinematic medium. This is one reason why one should allow them make their own films. It is also important to use a diversity of semiotic resources when pupils are representing their readings in order to underline the plurality of interpretations and filmic repertoires. Finally, I discuss the results of my research in relation to the new curriculum of Swedish education as it is presented in the syllabus “Lgr 11” which will take effect as from the autumn semester of 2011. In my analysis I find that the space for work of the kind I have conducted in the classroom will be diminished due to the new curriculum. There are, however, still possibilities and a learning potential for a teaching in Swedish that in an active way will take care of film experiences, as well as other kinds of textual experiences.

2043_12594 Söderling muep.pdf (2.376Mb)

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