Interaction criticism: Three readings of an interaction design, and what they get us.

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Interaction criticism: Three readings of an interaction design, and what they get us.

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Publication Article, other scientific
Title Interaction criticism: Three readings of an interaction design, and what they get us.
Author(s) Bardzell, Jeffrey ; Bolter, Jay ; Löwgren, Jonas
Date 2010
English abstract
Criticism is an integral part of the ongoing knowledge construction that is embraced in the more mature design disciplines—architecture, industrial design—and in the arts. Critics interpret, contextualize, interrelate, abstract, and question the artifacts of design to clarify opportunities for designs to improve everyday life and to explore the ways in which designs deliver on this promise. In doing so, they feed an ongoing dialogue between design and criticism, through which knowledge grows for the benefit of practitioners, scholars, and the general public. Interaction design, in general, does not really accommodate criticism and the role of the critic, with some exceptions in new media [1, 2], HCI [3, 4], and video-game studies. As HCI's interdisciplinary expansion continues to incorporate design, criticism's day is coming. As our work becomes increasingly culturally and socially complex, we will need both the "expert readings" of erudite critics and everyday design "crits" from practitioners to provide the knowledge we need to design. We expect interaction criticism to emerge as a skilled practice, closely tied to interaction design. Our intention here is to fuel this development by providing an example of what interaction criticism could offer members of the interaction design community.
DOI http://dx.doi.org/10.1145/1699775.1699783 (link to publisher's fulltext)
Publisher ACM
Host/Issue Interactions;2
Volume xvii
ISSN 1072-5520
Pages 32-37
Language eng (iso)
Subject(s) interaction criticism
Humanities/Social Sciences
Research Subject Categories::TECHNOLOGY::Information technology::Other information technology
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects
Handle http://hdl.handle.net/2043/11446 (link to this page)

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