Transversal media practices : media archaeology, art and technological development

DSpace Repository

Transversal media practices : media archaeology, art and technological development

Show full item record

Files for download

Facebook

Simple item record

Public defence 2013-05-17
Time 13:00
Location Stora hörsalen i Ubåtshallen, Östra Varvsgatan 11A, Malmö högskola
Faculty examiner Professor Beryl Graham, Faculty of Arts, Design and Media, University of Sunderland
Publication Doctoral Thesis
Artistic research
Title Transversal media practices : media archaeology, art and technological development
Author(s) Gansing, Kristoffer
Date 2013
English abstract
Transversal Media Practices work across specific situations of technological development, critically examining and redefining the terms of production in different media by bringing heterogeneous histories, institutions, actors and materialities into play with one another. This dissertation is all about trying out and refining the methodologies of such transversal media practices, in the end outlining a conceptual set of tools for further development. Following the technological hype of the “digital revolution” of the mid-1990s, the field of new media studies gained popularity over a ten year period. This dissertation takes its cue from a historical turn in new media theory, and argues that it is time leave behind strict polarisations between old and new as well as analogue and digital. The study unfolds through two case-studies. The first, “The World’s Last Television Studio”, looks at tv-tv, an art and media-activist project that negotiates the socio¬cultural and material changes of the “old” and institutionalised mass medium of television. In the second case study, “The Art of the Overhead”, another old medium is engaged: the overhead projector – a quintessen¬tial 20th century institutional medium here presented as a device for rethinking the new through the old. The problematic of technological development, i.e. dealing with questions of how (media) technologies develop over time, forms the background to these two case studies. A key issue being how cultural and artistic practices dealing with the interaction of old and new media invite us to conceptualise technological development in new ways. The emerging field of media archaeology is employed as a methodology in media studies and cultural production, comprising a theoretical and applied analysis of media history, materiality and practice. This transversal approach allows media archaeologists to deal with the relation between the old and the new in a non-linear way as well as to pay attention to the technical materiality of media. It is argued that the transversality of the media-archaeological approach should be seen in contrast to other conceptions of media history and technological development, such as progressivist, mono-medial and evolutionary ones. In this study, the author tries out the potential of media archaeology to reform our conception of media technologies, and eventually formulates a set of concepts for thinking and doing media archaeology as a transversal media practice. These tools are about the imaginary, residual and renewable dimensions of media technologies and are meant to assist in the opening up and intervening into processes of standardised media development. On a general level the resulting set of tools for transversal media practices builds a bridge between theory and practice: they can be used for further research and cultural analysis where objects of study speak back to analytical concepts. At the same time these are tools for transversality that expand this form of cultural analysis in that the travelling between disciplines here also means a travelling between theory and practice. On a specific level, the tools enable this travel between theory and practice in media- and communication studies, and as such they contribute to the development of new practice-based methodologies in media research.
Publisher Malmö University, Faculty of Culture and Society
Series/Issue New Media, Public Spheres and Forms of Expression;4
ISBN 978-91-7104-482-2
978-91-7104-481-5
Pages 350
Language eng (iso)
Subject(s) media archaeology
transversality
technological development
new media
media art
alternative media
practice-based research
cultural production
artistic research
overhead projector
television
remediation
imaginary media
Humanities/Social Sciences
Research Subject Categories::TECHNOLOGY
Handle http://hdl.handle.net/2043/15246 (link to this page)
Buy print http://webshop.holmbergs.com...15246 (print-on-demand service)

This item appears in the following Collection(s)

Show full item record

Search


Browse

My Account

Statistics