John Barth and Postmodernism: Spatiality, Travel, Montage

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John Barth and Postmodernism: Spatiality, Travel, Montage

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Publication Book
Title John Barth and Postmodernism: Spatiality, Travel, Montage
Author(s) Clavier, Berndt
Date 2007
English abstract
John Barth is one of the major novelists of American postmodernism. Barth’s contribution to the practice and theory of postmodernism is in this sense undisputable. However, much of the criticism dealing with his work in relationship to postmodernism is prompted by Barth’s own theories of “exhaustion” and “replenishment,” leaving his writing relatively untouched by theories of postmodernism in general. This study aims to change that. What is of particular interest here is the relationship between Barth’s aesthetic and the ideology critical work of the historical avant-gardes, which were the first to mobilize art against itself and its institutional practices and demands. This mobilization often took the form of an intentional shattering of the boundary between life and art and a subsequent critique of notions such as originality and organicity. To emphasize the idea of literature as practice (life), I focus on the notion of spatiality as it is defined and conceptualized within Marxism and Critical Theory, particularly by Fredric Jameson, Jean Baudrillard, Guy Debord, and Johannes Fabian. As many of these discussions show, spatiality is connected to human consciousness and material reproduction, generating not only the subject-object distinction, but also notions of temporality, historicity, and causality. There is, however, a paradox involved in the production of space. On the one hand, space can only be generated through systems of representation; on the other, our notion of reality requires space to be lived and authentic. The ability to produce space is therefore always connected to metaphorical skills. Yet, space exists only as social practice, as a field of authenticity. In this context, travel is seen as one of the fundamental spatial practices with which such a literalization is made. Examining Barth’s metafictional parodies in the light of these theories of space and subjectivity, I try to engage the question of ideology critique in postmodernism. My first chapter focuses on the postmodernism debate in America towards the 1990s, where I give a general historical overview of the issues discussed and elaborate connections to various theories and strategies of the historical avant-gardes. Next, I introduce the concept of spatiality, which has become the central issue defining postmodernism. Spatiality is generally seen as weakening of historicity and temporality, and by extension, of reality itself. I try to dispute this idea and relate the “spatialization of time” occurring within postmodernism to ideas of critical art. Thirdly, I explore the relationship of travel to the production of space. Here I suggest that travel above all is an acculturation of the real, a spatial practice through which reality acquires a meaningful and coherent structure. Chapter Two focuses on how these issues of spatiality, travel, and representation work their way into the fiction and essays of John Barth. The last chapter is a close reading of one of Barth’s later novels, The Last Voyage of Somebody the Sailor (1991), which aims to bring the previous discussions into proximity with one specific text. Here I argue that the montage can offer a critical model for understanding the spatiality of postmodernism, particularly its “simultaneity of the radically disparate.” My discussion ends by suggesting that such a take on postmodernism may well be perceived as a mimesis of reality, particularly a recognition of the collective nature of self and world.
Publisher Peter Lang Pub Inc
Series/Issue Studies on themes and motifs in literature
ISBN 082046385X
Pages 368
Language eng (iso)
Subject(s) travel
postmodernism
John Barth
spatiality
narrative
theory
Humanities/Social Sciences
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Aesthetics
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Literature
Note «This book will have a special appeal not only for those interested in John Barth but also for those pursuing postmodernism and metafiction. Berndt Clavier takes up the issue of spatiality and re-examines its centrality for our inherited notions of historicity, temporality, and causality. Through a series of perceptive analyses Clavier demonstrates how John Barth's focus on these concerns allows us to re-think such fundamentals as representation, the subject-object distinction, and, indeed, human consciousness. The book offers an extremely useful and thought-provoking discussion of some of the key phenomena of postmodern literary fiction, and it is clear that all future studies of Barth will also need to take this important book into account.» (Richard Murphy, University of Sussex; Author of Theorizing the Avant-Garde: Modernism, Expressionism and the Problem of Postmodernity)
Handle http://hdl.handle.net/2043/5554 (link to this page)

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